Johan Söderberg (SE), director of The Planet
Agneta Mogren (SE), Chairman of Tempo Documentary Film Festival Stockholm
Line Halvorsen (NO), director of USA vs Al-Arian
Maud Nycander (SE), director of The Nun
Kersti Grunditz (SE), editor of The Nun
Fredrik von Krusenstjerna (SE), director of Necrobusiness
Asger Leth (DK), director of Ghosts of Cité Soleil
Mats Bigert (SE), director of Last Supper
Charlotte Røhder Tvedt (NO), director of From Prison to Parliament
Øyvind Åmot (Wind) (NO), protagonist of Hunting Down Memory
Antti Seppänen (FI), director of Iceberg Shadow
Kimmo Vänttinen (FI), editor of Iceberg Shadow
Kang Mao and Wu Hao (CN), protagonists of Rock Heart Beijing

Good news!
Many thanks to all those who attended and supported Nordox 2009. Due to popular demand we are bringing a selection of the most popular films back to the UCCA auditorium screen. We will be re-screening ten Nordox 2009 films, all of them audience favourites. Screenings will be one off, so don’t miss this chance to catch some truly great documentaries!

活动类别 艺术影院Art Cinematheque
活动名称 第四届北欧纪录片电影节精选加映 Nordox2009 Rewind
时间 2010年2月2日 – 7日 | 报告厅 | 中英文字幕
Feburary 2 – 7 | Auditorium | Chinese and English subtitles

Film Schedule:

2.2
16:00伯格曼之岛（瑞典） Bergman Island (SE) 83 min
19:00灾难的配方（芬兰） Recipes for disaster (FI) 85 min

2.3
16:00最后的晚餐（瑞典）Last Supper(SE) 58 min
19:00 Roskilde音乐节（丹麦）Roskilde(DK) 99 min

2.4
16:00 STEYPA（冰岛）Steypa(IS) 67 min

2.5
16:00女孩（挪威）Girls(NO) 86 min

2.6
16:00冰山的阴影（芬兰）Iceberg Shadow(FI) 57 min
19:00太阳城的幽灵（丹麦）Ghosts of Cité Soleil(DK) 86 min

2.7
16:00死人财（瑞典）Necrobusiness(SE) 95 min
19:00失忆（挪威）Hunting Down Memory(NO) 80 min

时间：2009年11月21日－12 月5日
地点：尤伦斯当代艺术中心报告厅，798艺术区，北京朝阳区大山子酒仙桥路四号

Date: 21.11.- 5.12. 2009
Venue: Auditorium，Ullens Centre for Contemporary Art, Beijing 798 Art District

凭展览门票入场，观看当日所有影片，并可参观UCCA展览。
UCCA admission ticket is required for all screenings.

票务信息 / Ticket info

欢迎各位来参加第四届北欧纪录片电影节。一年一度的北欧纪录片电影节又将在这里 -北京尤伦斯当代艺术中心，这个北京最具影响力的、最开放的文化聚集地来展现北欧电影人独特的观察世界的视角。

今年北欧纪录片电影节播放的影片的内容有关于海地太阳城危险的三角恋爱，波兰罗兹救护车里的谋杀，肯尼亚大选街头的暴乱，有芬兰跳蚤市场的发现，丹麦Roskilde音乐节的裸奔，澳大利亚以垃圾为生的环保主义者，芬兰家庭的节油，还有关于世界上最好的食品工业和美国死刑犯最后的晚餐。这些场景和片断构成了今年电影节的主要基调，理性，直白，尖锐，热情，冷酷，节俭，放任…

就题材而言，这一届电影节延续了往年社会政治类主题和绿色环保类主题，今年还增加了艺术和音乐类的纪录片。今年，不仅参与Nordox放映的纪录片的数量有所增加，我们还特别设置了瑞典日、挪威日和芬兰日，来集中向大家放映瑞典、挪威和芬兰电影人为我们带来的新片。

我们荣幸地邀请到获去年DGA 纪录片最佳导演大奖的影片《太阳城的幽灵》的导演Asger Leth，《死人财》的导演弗雷德里克 冯 克鲁辛斯特纳， 挪威电影《从监狱到议会》的导演Charlotte Røhder Tvedt，《最后的晚餐》的导演Mats Bigert & Lars Bergström，《冰山的阴影》的导演Antti Seppanen， 《整容》的导演Mika Koskinen以及《失忆》的主演岛之风和我们熟悉的Subs乐队和主唱抗猫来到这里，通过Q&A环节，和观众一起分享他们创作纪录片的亲身体验，交流观点和见解。另外不要错过我们的开幕式派对的和床吧的完工派对。

我们要特别感谢尤伦斯当代艺术中心为提供的这样一个项目合作的机会。感谢挪威王国大使馆、瑞典大使馆、芬兰共和国大使馆、丹麦王国大使馆、冰岛共和国大使馆、丹麦文化中心以及北欧各国电影研究机构对我们Nordox长期的信任和支持。特别感谢尤伦斯的项目负责人崔峤和谢盟给我们的帮助，感谢媒体关注和志愿者的奉献。希望大家在这两周的初冬季节里不仅有所交流，有所争议，还有所收获….

We’d like to welcome you to Nordox, Nordic Documentary Film Festival Beijing, a yearly documentary film event, which is now approaching its fourth edition. This year Nordox is continuing its collaboration with Beijing’s most exciting cultural venue, the Ullens Center for Contemporary Art, to host all screenings and events. Visit Nordox 2009 for a showcase of unique Nordic perspectives on the world.

Nordox 2009 has a vast range of films lined up for you this year. A quick flick through the scenes of this year’s films will take you to a dangerous love triangle in the Cité Soleil slum in Haiti, to the ambulance murders in Lodz, Poland, to the Kenya election riots, to magical flea market discoveries in Finland, to the Roskilde naked run in Denmark, to Australian trash can raiders, to Finnish oil diets, to the best food industry in the world and to the last supper for those on death row in American prisons. These scenes and fragments constitute the main highlights of this year’s film selection.

For 2009 the film selection is based on several themes. We will continue with Nordox’ red thread of Socio- politically engaged films under a Socio-political theme. New themes this year are “Green” showing films concerning environmental protection and “Art & Music” screening films that are concerned with the arts. Beside screening more and more varied films this year Nordox will also host three special days, a Sweden day, a Norway day and a Finland day to showcase the best of our selection of films from these countries along with director visits and embassy activities.

It’s our honour this year to welcome award-winning director of “Ghosts of Cité Soleil” Asger Leth, award-winning director of “Necrobusiness” Fredrik von Krusenstjerna, the director of the Norwegian film “From Prison to Parliament”, Charlotte Røhder Tvedt, one of the directors of “Last Supper”, Mats Bigert, “Iceberg Shadow” director Antti Seppanen and “Facing Changes” director Mika Koskinen. Nordox will also open up the screening platform to the star of the film “Hunting Down Memory” Øyvind Aamot from Norway and a familiar Beijing Face, Kang Mao of the band Subs, who stars in the film “Rock Heart Beijing”. Through Q & A sessions with the audience Nordox aims at creating a platform for these creators and collaborators to share their first-hand film-making experience and to exchange ideas, insights and reactions. In addition, to kick off the start of Nordox and to warmly welcome you to the festival we’ve organized an opening ceremony with DJ’s, which will start at Ullens and continue into the wee hours at Bed Bar on Zhang Wang Hutong.

Nordox would like to thank the Ullens Center for Contemporary Art for having provided Nordox with the opportunity to host such an exciting festival. Nordox would also like to extend its sincere gratitude to the Royal Norwegian Embassy, the Embassy of Sweden, the Embassy of Finland, the Royal Danish Embassy and the Embassy of Iceland as well as the Danish Cultural Institute and the Film Institutes of the Nordic countries for their continued trust and support. We especially thank the head of public programmes of UCCA Cui Qiao and Xie Meng, for their kindly collaboration. We thank the Beijing media for their interest and coverage of the festival as well as all our volunteers for their hard work and dedication in making the festival a success.

我十分高兴出席今天在此举行的2009北欧纪录电影节开幕式。北欧纪录电影节是在中国举办的唯一一个北欧国家纪录电影展映活动，这已经是第四次举办了。这个电影节为我们大家提供了一个从不同视角观察那些带普世意义的社会问题的宝贵机会。
同时，这个电影节也为中国观众提供了一个了解北欧文化以及北欧民众所关注的问题的良好机会。我猜想，参展影片中所提出和探讨的问题对某些观众也许是崭新和陌生的。非但如此，也许北欧国家提出并关注这些问题就是一件令人诧异的事情。
我相信今后两周即将放映的影片将给我们提供许多进行探讨和做出评价的机会。因此，电影节的问答单元将是此次活动的一个宝贵部分。我们十分高兴为数众多的中国导演前来参加今年的电影节以及研讨活动。
此外，这次北欧纪录电影节也是北欧国家开展合作的一次好机会。北欧各国已经在今年秋季的数个活动中进行过合作，我们期待将来还有更多这样的合作机会。
在此，我希望就北欧记录电影节的盛海和所有参与人员为电影界所做出的付出和奉献表示感谢。另外，我也要感谢此次电影节的主办单位尤伦斯当代艺术中心。
感谢大家参加今天的开幕式，祝愿2009北欧纪录电影节取得圆满成功！

挪威王国驻华大使馆
特命全权大使司文先生

Opening speech Nordox 2009 Nordic Documentary
Saturday 21 November 2009

Dear movie enthusiasts, colleagues and friends,

It is a great pleasure for me to be here today and participate in the opening of Nordox 2009. Nordox is the only Nordic documentary festival in China and is this year arranged for the 4th time. This film festival gives us a great opportunity to focus on social topics of relevance all over the world, but seen from different perspectives.

It is also a great opportunity for the Chinese audience to learn more about the Nordic culture and what topics people in our countries are concerned about. I would guess that some of the topics discussed and raised in these movies might be new and unfamiliar to some of the audience. That these topics are raised and focused on in the Nordic countries might also be surprising.

I am sure that the program during the next two weeks will give us many opportunities for discussions and evaluation. The Q&A sessions will be a valuable part of that and we are very pleased that there will be some many director visits and Q&A sessions during this year’s Nordox.

Nordox 2009 is again a great opportunity for Nordic cooperation. We have collaborated on several other activities this autumn, and we also look forward to more opportunities like this in the future.

We would like to thank Henri and all of those involved in Nordox for their engagement and dedication to this festival. I would also like to thank Ullens Center for Contemporary Art for hosting the festival.

Thank you all for coming to today’s opening, wish Nordox 20009 great success!

Nowegian Ambassador to China Mr. Svein O. Sæther

Nordox gives us a great opportunity to see and experience important social topics from different perspectives. The director visits and Q&A sessions are unique chances to also get feedback and reactions to our understanding of the movies, and thus contribute to an even better understanding of the content.

Nordox 2009 gives a broad and diverse image of Norway and the Norwegian culture. We are sure that the Norwegian movies will lead to discussions and conversations about topics that have not previously been associated to Norway or the Nordic culture.

Nordox is a very important part of the cultural scene and annual cultural activities in Beijing and we really appreciate the effort the festival and those behind it have made in order to introduce the Nordic culture to a broader audience.

We sincerely hope Nordox 2009 will be a great success and that we will see the continuance of the festival and other collaborations it leads to also in the future.

Tone Helene Aarvik

Cultural Attahcé
Royal Norwegian Embassy in Beijing

Necrobusiness by Richard Solarz & Fredrik von Krusenstjerna (SE)
Ghosts of Cité Soleil by Asger Leth (DK)
Girls by Hanne Myren (NO)
Last Supper by Mats Bigert Lars Bergström (SE)
From Prison to Parliament by Charlotte Røhder Tvedt (NO)
Hunting Down Memory by Thomas Lien (no)
Facing Changes by Mika Koskinen (FI)
Last Bus Stop by Kai Salminen & Zsuzsa Böszörmenyi (FI)
Exile – Never Mind Reality by Erlend Eidsem Hanssen (NO)
Pining for the Fjords by Are Syvetsen and Jon Martin Forland (NO)
Recipes for Disaster by John Webster (FI)
The Leftovers by Michael Cavanagh & Kerstin Übelacker (SE)
Bullshit by Suzanne Khardalian and PeÅ Holmquist (SE)
Bergman Island by Marie Nyreröd (SE)
Steypa by Markus Thor Andersson & Ragnheidur Gestsdottir (IS)
Roskilde by Ulrik Wivel (DK)
Iceberg Shadow by Antti Seppänen (FI)
Rock Heart Beijing by Karen Winther (NO)
Electronica Reykjavik by Arnar Jonsson (IS)

太阳城的幽灵（又名：无正义之城）(DGA最佳纪录片导演大奖得主)

透过两名亲兄弟的和他们的故事，我们一点点地深入观察今天的海地 – 这个全世界最危险的地方 -的人们真实的生活。 作为海地黑帮首领的2Pac和比利，他们必须在这个几乎没有任何选择余地的世界中做出决择。影片通过不可思议方式零距离地观察黑帮兄弟间的爱与恨；和他们二人与法国人莉莉间的三角之恋；还看到了他们与绝望中仍想维持权力的阿里斯蒂德之间的丑恶协议。以暴力为话语权的2pac和比利知道，在海地，生存下去就是每天的挑战，他们想要为自己也想要为他们的人民找到更好的生活。《太阳城的幽灵》讲述了那些在极度危险的太阳城贫民窟中弱肉强食的青年人的故事，和他们如何被政治所利用。它见证了绝望中的梦想，以及他们借助hip-hop和说唱音乐来祈求生存的希望。

Asger Leth/Nordisk Film/丹麦/2006/86分钟/35毫米/方言,英语,法语中英文字幕
www.ghostsofcitesoleil.com

Ghosts of Cité Soleil (DGA AWARD!)

The reality of life today in Haiti unfolds before us as we get to know two brothers and their stories intimately. They are 2Pac and Bily, Haitian gang leaders who strive to make better choices in a world with no choices at all. Through unprecedented access, we see the brothers’ love and hatred for each other, their love triangle with Lele, a French relief worker, and their unsavory pact with President Aristide during his desperate grasp to maintain power in early 2004.  Speaking the language of violence and knowing that staying alive in Haiti is a very day-to-day proposition, 2Pac and Bily struggle to find a better life for themselves and for their people. “Ghosts of Cité Soleil” is the story of young armed men from the slum, being used for political purposes. It is a testament of desperate dreams in a ghetto world where dog eats dog, with hip-hop and rap music as an existential part of their desperate hope for survival in Cité Soleil – the most dangerous place on earth.

Asger Leth/Nordisk Film/Denmark/2006/86min/35mm/Creole, English,
French dialogue, English and Chinese subtitles
www.ghostsofcitesoleil.com

死人财 (TEMPO 大奖, IDFA入围作品)

纪录片行业的巨作！90年代末，波兰政府发行了一项提供给波兰公民死者家属的葬礼基金。而波兰罗兹市的殡仪从业者却把他们贪婪的双手伸向了这笔基金。 通过贿赂救护车司机，找到死者家属信息，利用他们仍沉浸在巨大悲痛中、无心看完厚重合同的机会，骗取他们转交基金的签名。当救护车司机说出“死人越多我们 越赚”这样的话时，我们看到了巨大的丑恶。而贪欲也使最初的诈骗也演变成了谋杀…

Richard Solarz, Fredrik von Krusenstjerna/Fvk Film AB/2008/95分钟/35毫米/波兰语, 中英文字幕

Necrobusiness (TEMPO AWARD, IDFA official selection)

During the late 90’s, the Polish government issued a burial fund to the relatives of any deceased citizen. Now the undertakers of Lodz in Poland have figured out a way to lay their greedy hands on those funds. By paying ambulance drivers to get the information where the unfortunate relatives live, they went there with contracts to get the relatives to sign over the burial funds to the undertakers. The idea was that while the relatives was still struck with grief and sorrow, they wouldn’t want to read through a thick contract and just sign it instead. Things really went ugly when the ambulance drivers figured out that they would make more money if more people died. Something that started as a swindle ended up in murder…

Richard Solarz, Fredrik von Krusenstjerna/Fvk Film
AB/2008/95min/35mm/Polish dialogue, English and Chinese subtitles

失忆

你是谁如果你不再认识自己？我又是谁如果我的过去完全消失？什么是身份？它又是如何与记忆联系在一起？想像明日醒来时已记不起今天的一切。所有的记忆都不复存在。想像在丢失了自我背景中生活，不再认得那些认识你的人，好像第一次与这个世界相遇。最后，想像这一切都发生在一次独自的中国火车之旅中。

Thomas Lien/Merkur Film/挪威/2009/80分钟/35毫米/挪威语和汉语, 中英文字幕
www.huntingdownmemory.com

Hunting Down Memory

Who are you if you do not know yourself? Who am I if my whole past is
gone? What is identity? In which way is identity connected to
memory? Imagine waking up tomorrow without recalling today. All
recollections are deleted. Imagine living without a background
history, without recognizing those who know you. Imagine encountering
the world as if it was for the first time. And finally, imagine this
happening to you while travelling alone on a train in China.

Thomas Lien/ Merkur Film/Norway/2009/80min/35mm/Norwegian, Chinese
dialogue, English and Chinese subtitles
www.huntingdownmemory.com

‘People would point to me and call me waiguoren (foreigner), and I’d say ‘OK, I’m a waiguoren’, but I didn’t know what that concept meant’
(Øyvind Aamot, maincharacter of Hunting Down Memory at an interview with China Daily)

Read the whole article ‘Who am I?’ (opens in a new window)

“人们会指着我叫我‘外国人’， 我说‘好吧， 我是外国人’， 但我并不知道这是什么意思。”
（岛之风， 《失忆》男主角接受《中国日报》时说）
阅读整篇文章“我是谁”

Festivals:
2009 Hot Docs International Documentary Film Festival, Toronto
2009 Norwegian Short Film Festival, Grimstad
2009 SilverDocs – AFI Disovery Channel Documentary Film Festival, Washington
2009 Norwegian International Film Festival Haugesund – New Nordic Films
2009 Scanorama Film Festival, Lithuania
2009 Guangzhou International Documentary Festival, China

最后的晚餐 （IDFA入围作品)

只要死刑仍然存在，给死刑犯提供最后的晚餐这一传统就不会消失。而这一传统源自给将死之人提供食物，以保护他们在去往来生的道路。今天，给罪犯提供最后的晚餐这一仪式已脱离了它起源的意义，而这一仪式本身就和死刑一样荒唐。Mats
Bigert和Lars Bergström的这部影片关注这一仪式的传统阐释与现代应用的区别，一种早已与历史失去联系的现代仪式。影片使用了纪录片素材，道具及动画等多种表现手法。主角Brian
Price, 前得克萨斯州州立监狱服刑的囚犯，为我们重现了他曾为两百多名死刑犯料理最后的晚餐。

Mats Bigert & Lars Bergström/瑞典/2005/58分钟/DigiBeta/瑞典语, 英语, 中英文字幕

Last Supper (IDFA official selection)

The last supper has been given to prisoners facing the death penalty
as long as the punishment has existed. The tradition stems from
funeral rites where the deceased person was given food on his deathbed
to protect him on his journey to the afterlife. Today, the ritual of
giving the last supper to the condemned person has been detached from
its origin, and can be perceived to be as absurd as the punishment it
accompanies. Mats Bigert Lars Bergström’s film Last Supper focuses on
this discrepancy between historical “meaning” and contemporary use of
a tradition that has lost its connection with the past. The film mixes
documentary material with sculptural installations and animated
graphics. The main character is the former death row chef Brian Price,
who reconstructs one of the 200 final meals that he prepared during
his time as inmate in Huntsville State Prison, Texas, US.

Mats Bigert & Lars Bergström/Sweden/2005/58min/DigiBeta/Swedish and
English dialogue, English and Chinese subtitles

从监狱到议会 （IDFA入围作品）

肯尼亚2007年选举骚乱爆发的两年之前，肯尼亚籍挪威人彼得欧让吉瓦正在挪威的Bastoy监狱服刑，罪名是贪污。他狱中的室友叫他“总统”，因为他计划作为候选人参加肯尼亚的议会选举。他的目标是不用贿赂任何选民在议会中赢得一个席位。他立志要为民主和反腐败而战。彼得承认贪污是不对的，但也对肯尼亚的民主运动有一定的帮助。为了正当的目的可以不择手段。他的狱友决定去肯尼亚帮助彼得实现他的目标。电影跟拍了整个选举，展现了从挪威监狱到肯尼亚议会这一过程中的困难和彼得乐观的精神。

Charlotte Røhder Tvedt/Medieoperatørene/挪威/2008/58分钟/DigiBeta/挪威语和英语, 中英文字幕

From Prison to Parliament (IDFA OFFICIAL SELECTION)

Two years prior to the 2007 election riots in Kenya, Norwegian-Kenyan
Peter O. Ranginya is serving time at Bastøy prison in Norway,
convicted of embezzlement. His fellow inmates call him “The
President”, because he plans to run as a candidate in the Kenyan
Parliamentary elections. The goal is to win a seat in Parliament
without bribing a single voter. He will fight for democracy & against
corruption. Peter admits that the embezzlement was a mistake, but
still it was a way to help the democratic movement in Kenya. The end
justifies the means. His cellmate decides to go to Kenya to help Peter
achieve his goal. The film follows the election; the hard work and
Peter’s optimism, from Norwegian prison to the Kenyan Parliament.

Charlotte Røhder Tvedt/Medieoperatørene/Norway/2008/58
min/DigiBeta/Norwegian, English dialogue, English and Chinese
subtitles

女孩

这是一部关于正在上中学九年级的挪威女孩子的纪录片，故事围绕她们充满青春气息的幻想，忠诚，欺骗，以及处于这个危险年龄节段的这些生猛的女孩们之间的权利之争而展开。影片把镜头对准在卢斯罗卡中学上学的两个小团体。她们中的一名女孩能够同时融入这两个团体，一边是强悍派，另一边是弱势群体。然而她很快就发现，她早晚必须在这两个派别中挑选一个，选择抛弃一边的朋友，取得另一边的朋友的身份认同。

Hanne Myren/Medieoperatørene AS/挪威/2007/77分钟/35毫米/挪威语, 中英文字幕
www.mop.no

Girls

This is a documentary about the toughest girls in the 9th grade. About
youthful presumption, loyalty, deceit, and female power structures at
an age when everything is at stake. The film focuses on two groups of
girls at Ruseløkka School. One of the girls has joined both
environments, the toughest gang and the less daring Frogner girls.
After a while, it’s only a matter of time before she will be forced to
choose between the two gangs, decide which friends to abandon, and
which identity to assume.

Hanne Myren/Medieoperatørene AS/Norway/2007/77min/35mm/Norwegian,
English and Chinese subtitles
www.mop.no

整容 （IDFA入围作品）

营销主管Bao Huai代表了中国正在崛起的中产阶级, 就在他和他的朋友加入迅猛发展的整容大军的同时, 北京的容貌也已从非典变为了奥运会。同时, 整个人类的文明都面临着全球气候变化和环境灾害的威胁, 而我们甚至不愿面对这样的转变。问题就在于我们在面对转变时的短视。我们缺乏认识和适应长期变化的能力。在西方国家, 自然对民主制度的妥协使得认识和纠正转变的速度都过于缓慢。而在中国, 这种转变被更广泛的个人利益和实际情况所掩盖, 因为只有这样才不会有人在这一过程中丢面子。这也就是为什么在很多时候, 最糟的是可以预见的生态灾难即将发生的这种状态 。

Mika Koskinen/Kaarle Aho & Tju-Bang Film/芬兰/2008/75分钟/汉语, 中英文字幕

Facing Changes

Marketing director Bao Huai represents chinese rising upper middle class, when he and his friends are changing faces within booming plastic surgery industry while the city of Beijing is changing its face from SARS to Olympics. Meanwhile the whole human civilization is threatened by global climate change and environmental disasters that we are not willing to see even we are facing them. The question is in our shortsightedness in front of a change. Our disability to recognize and adapt or affect to the long-term changes. In the western countries the changes are milder to recognize and the cure can also be too slow due to compromizing nature of democratic system. In China the change is shadowed with wider individual intresses and truths so that no-one would loose one’s face in the process. This is why in many cases the worst is about to happen, which we can see i.e. in the ecological disasters.

Mika Koskinen/Kaarle Aho & Tju-Bang Film/Finland/2008/75min/Chinese
dialogue, English and subtitles

最后一站

想象一个地处东欧腹地的小村子，一个多世纪以来，它的国籍就像四季一样变换着：最初，它属于哈布斯堡帝国，然后是捷克斯洛伐克，然后是匈牙利，再然后是苏联。近年来，事情变得更加复杂。二战末期，苏联在划定边界时将Szeimenc(人口1100)村划在了两个不同的国家。一边的人们住在斯洛伐克，现在是欧盟的一员；而他们的亲人却在政治经济都不稳定的乌克兰那边艰难地生活。有一个办法就是建一条越境通道，使这些家庭能在分离60年后重聚，并带动经济的发展。影片是以大小Szeimenc村的两位村长2004前往华盛顿的旅行开始的，他们在那里敦促国际人权连线建立一条越境通道。两年后，这条通道建成了，但谁又真正从中获益了呢？

Kai Salminen & Zsuzsa Böszörmenyi/Media Alert/芬兰/52min/英语和匈牙利语, 中英文字幕

The Last Bus Stop

Imagine a village somewhere deep in Eastern Europe. For more than a
century, its nationality has changed in a season-like cadenza: first
it belonged to the Hapsburg Empire, then to Czechoslovakia, next to
Hungary, then to the Soviet Union. In recent years, things have grown
even more complex. At the end of World War II, the Russians
established a border that divided the village of Szelmenc (population
1,100) over two separate countries. Families on one side live in
Slovakia, which is now a member of the European Union. On the other
side, their relatives suffer from the unstable political and economic
circumstances in Ukraine. One solution would be to build a
border-crossing, to reunite families after 60 years and to generate
some economic structure. The film starts with the trip that the mayors
of Little Szelmenc and Great Szelmenc made to Washington in 2004,
where they urged the necessity of constructing a border-crossing at
the congressional Human Rights Caucus. Two years later, it was built –
but who is actually benefiting from it?

Kai Salminen & Zsuzsa Böszörmenyi/Media Alert/Finland/52min/English
and Hungarian dialogue, English and Chinese subtitles

放逐 – 与现实无关

影片刻画了一个正在滋长的现象：年轻人越来越沉迷于网络在线游戏（MMORPG）。来自奥斯陆的Emil(34)和来自利勒哈默尔的
Daniel(16)、Morten(14)、Rasmus(15)四个人完全沉陷于网络游戏中。这给他们造成了严重的后果：辍学，失去朋友和工作。同时，网络游戏又带给他们巨大的乐趣和掌控感。

Erlend Eidsem Hanssen/Mediamente/挪威/2009/48分钟/DigiBeta/挪威语, 中英文字幕

Exile – Never Mind Reality

Exile – Never Mind Reality depicts a growing phenomenon: young people
developing an obsession with online gaming (MMORPG). Emil (34) from
Oslo; Daniel (16), Morten (14) and Rasmus (15) from Lillehammer are
all completely hooked. This has had serious consequences for them and
has led to them dropping school, friends or jobs. At the same time,
gaming is fun and gives them a sense of mastery.

Erlend Eidsem Hanssen/Mediamente/Norway/2009/48min/DigiBeta/Norwegian
dialogue, English and Chinese subtitles

狗肉的滋味

你是否知道挪威食品是全世界最纯净、最好的食物？《狗肉的滋味》就是针对挪威强大的合作制食品工业的神秘假象的一枚政治燃烧弹。实际上挪威食品工业兜售的小规模，非工业化，家庭牧场的形象与真实的情形大相径庭。影片不带任何敬意，充满嘲讽讥笑，展现了所谓口头承诺与实际情况之间的巨大落差，还有所有那些尴尬的回答与犹疑不定，谎言与偷拍。《狗肉的滋味》将风景如画的海峡中的挪威女王的画面和用燃烧巴西雨林来种植喂养挪威猪的大豆这样的画面编排在一起。“这部电影毫无可信度，令人恶心并值得怀疑。”一位来自业内的公关经理这样说道。你会相信她说的吗？

Are Syvertsen, Jon Martin Førland/Incakola
Productions/挪威/2007/73分钟/35毫米/挪威语, 中英文字幕
http://smakenavhund.no/index.asp

Pining for the Fjords

Did you know that Norwegian food is the purest and best in the whole
world? Pining for the fjords is a political Molotov cocktail against
the mythmaking of the powerful cooperatives in Norwegian food
industry. They sell an image of small-scale, non-industrial, farming
families – far from what’s actually taking place. Without any respect
and with a sarcastic laugh, the film shows the enormous gap between
what’s said and what’s done. Embarrassing answers and hesitations,
lies and candid camera – you get it all. “Pining for the fjords”
compiles images of the Norwegian Queen in picturesque fjords with
Brazilian rainforests burned to feed Norwegian pigs with soy beans.
“This is a film without any credibility, it’s disgusting and suspect”,
says a Director of Communications from the industry. Do you trust her?

Are Syvertsen, Jon Martin Førland/Incakola
Productions/Norway/2007/73min/35mm/Norwegian dialogue, English and
Chinese subtitles
http://smakenavhund.no/index.asp

灾难的配方

导演约翰.韦伯斯特劝说妻子和两个年幼的孩子，在保持他们城郊中产阶级生活方式不变的同时，全家一起来节省用油。生活中那些我们不愿意做或忍不住要做的事情，都变成了造成灾难的配方的一部分。在这部喜剧中，他们发现自己犯下的错误，不仅使他们的价值观受到了质疑，也使他们的意志力，和最终他们的个人幸福受到了考验。

John Webster/Millennium Film/2008/85分钟/芬兰语和英语, 中英文字幕

Recipes for Disaster

Director John Webster convinces his wife and two small children that
the whole family should go on an oil diet, yet without having to give
up their middle class suburban lifestyle. All the everyday things that
we don’t do, or what we can’t help doing, make up recipes for
disaster. In this comedy of errors they find themselves questioning
their values and putting to test their will power and ultimately,
their happiness.

John Webster/Millennium Film/2008/85min/English and Finnish dialogue,
English and Chinese subtitles

食荒者

五名形色各异的人，通过驾驶一辆植物油驱动的面包车，沿澳大利亚东海岸驱使两千公里，仅以垃圾为生来挑战自己。身无分文却激情满溢，他们不止考验了自己，也考验了社会。

Michael Cavanagh & Kerstin Übelacker/WG Film/2007/28分钟/DVCAM/ 英语, 中英文字幕
http://www.theleftovers.net/

The Leftovers

A group of five diverse people have challenged themselves to drive
2000 km down the east coast of Australia in a veggie oil powered van,
living on nothing but waste. With zero money but plenty of passion
they put both themselves and society to the test.

Michael Cavanagh & Kerstin Übelacker/WG Film/2007/28min/DVCAM/ English
dialogue, English and Chinese subtitles
http://www.theleftovers.net/

牛粪传奇

她的对手叫她“绿色杀手”。他们颁给她一座“牛粪奖”以讽刺她对穷人的付出。《时代》杂志将她称为我们时代的英雄，全世界年轻人的偶像。这部影片描述的是印度环保活动家，核物理学家Vandana
Shiva。

Suzanne Khardalian & PeÅ Holmquist/HB PeÅ Holmquist
Film/瑞典/2005/73分钟/DigiBeta/瑞典语和英语, 中英文字幕

Bullshit

Her opponents call her “The Green Killer”. They gave her “The Bullshit
Award” for sustaining poverty. TIME says she is a hero of hour times,
an icon for young people all over the world. This is a film about
Vandana Shiva, Indian environmental activist and nuclear physicist.

Suzanne Khardalian & PeÅ Holmquist/HB PeÅ Holmquist
Film/Sweden/2005/73min/DigiBeta/Swedish and English dialogue, English
and Chinese subtitles

伯格曼之岛

就在英格玛.伯格曼去世的四年前，这位传奇的电影人和瑞典纪录片制作人Marie
Nyerod一起坐在他位于法罗岛的家中，讨论了他的工作，他的恐惧，他的遗憾以及他那仍旧燃烧着的艺术激情。结果就有了关于这位著名的隐居导演，从未有过的一系列惊人坦白的采访，并在之后被剪辑为一部长篇电影，伯格曼的孤岛。电影深入、袒露，充满了有关伯格曼作品中以及个人生活中的精选的轶事。
Nyerod的这部电影是关于这个改变了电影艺术的大师的最终一瞥。

Marie Nyreröd/瑞典/2006/83分钟/瑞典语, 中英文字幕

Bergman Island

Just four years before his death, legendary filmmaker Ingmar Bergman
sat down with Swedish documentarian Marie Nyreröd at his home on Fårö
Island to discuss his work, his fears, his regrets, and his ongoing
artistic passion. This resulted in the most breathtakingly candid
series of interviews that the famously reclusive director ever took
part in, later edited into the feature-length film Bergman Island.
In-depth, revealing, and packed with choice anecdotes about Bergman’s
oeuvre, as well as his personal life, Nyreröd’s film is an
unforgettable final glimpse of a man who transformed cinema.

Marie Nyreröd/Sweden/2006/83min/Swedish dialogue, English and Chinese subtitles

Steypa

这部冰岛纪录片跟随拍摄七名年轻的艺术家超过两年时间。他们在家乡和国外找寻着属于自己的位置，并在这一过程中以各种各样的方式相互影响。Steypa这部影片深入洞察了这一代人的工作过程和工作态度，展现了他们的创意想法是如何诞生并随之融入其艺术当中。

Steypa

This Icelandic documentary follows seven young artists over a two-year
period. They are finding their place both at home and abroad and
interconnecting with each other in various ways. Steypa gives insight
into the work process and attitude of this generation, showing how
ideas are born and subsequently formed into art.

Markus Thor Andresson & Ragnheidur Gestadóttir/Lofi
Productions/Iceland/2007/67min/Digibeta PAL/Icelandic dialogue,
English and Chinese subtitles

Roskilde音乐节

每年全世界各地各个年年龄阶层的过节的人们聚集到丹麦Roskilde市郊外的荒郊野岭，来加入这个人类共同，欧洲最大，最神圣最荣耀的音乐盛典，释放人性粗狂的一面。平日荒芜的田野变成充满能量的音乐殿堂，你心醉神迷，飘然欲飞，跨越所有的界限。影片从音乐家，志愿者和观众的角度来充分体验音乐节的魅力，领略Franz
Ferdinand, Placebo, The Streets, Rufus Wainwright, Editors, Jenny
Wilson, Mew, Sonic Youth和众多的音乐高手。

Ulrik Wivel/Barok Film A/S/丹麦/2008/99分钟/35毫米/丹麦语, 英语 中英文字幕
http://www.roskilde-filmen.dk/roskilde/

Roskilde

Every year festival people of all generations from the world over
gather on the fields surrounding Roskilde to step into a mutual party
and release the human beast. Step into the most sacred room of one of
the biggest and most renowned music festivals in Europe. Experience
the festival through the eyes of the artist, the volunteer and the
guest, when a simple field is transformed into a musical centre of
energy in which the ecstasy culminates and boundaries are crossed.
Experience live concerts with Franz Ferdinand, Placebo, The Streets,
Rufus Wainwright, Editors, Jenny Wilson, Mew, Sonic Youth and many
others.

Ulrik Wivel/Barok Film A/S/Denmark/2008/99min/35mm/Danish, English
dialogue, English and Chinese subtitles
http://www.roskilde-filmen.dk/roskilde/

Of the European open air festivals Roskilde is the most important. For the fans there is no other festival as Roskilde that carries on the legendary Woodstock spirit.
­— German news anchor
Roskilde是欧洲最重要的露天音乐节。对乐迷而言, 再没有哪个音乐节比它更好地继承了传奇的伍德斯托克音乐节的精神。
— 德国电视台新闻主播

If the identity  of the Roskilde Festival was easily described we would have been tempted to do so. And it would be relatively simple to duplicate. And copy in other places. I believe that the Nordic all-embracing mentality will prevail even if there are attempts at breaking it down and that it will safeguard freedom and respect personality and tolerance.
— Leif Skov  Roskilde Festival Director

要是Roskilde的特性易于描述, 我们早就尝试了。它也就相对容易在别的地方被复制。我相信即使遇到破坏的阻力, 北欧人的包容性最终会取胜的。而这种态度将会守卫着自由、尊重、个性和宽容。
— Leif Skov  Roskilde音乐节主席

冰山的阴影

导演在跳蚤市场找到了一箱在世界各地拍摄的8毫米胶片。年长日久，这些盒子里的薄薄的塑料胶片渐渐呈现出了生命。毫无疑问它们都是由同一个人拍摄的。谁会是纪录这些瞬间的人呢？风浪后的平静，东方的舞者，马丘比丘的迷雾，一个飞毛蛾虫在蚕食树叶，还有曼哈顿闪烁的霓虹灯。不再存在的神秘港口的繁忙。成千上万的电影画面。一个人一生和经历就在跳蚤市场被卖掉了。

Antti Seppänen/Illume Film/芬兰/2009/57分钟/芬兰语, 中英文字幕

Iceberg Shadow

The director finds a box of 8 mm films full of images from all over
the world at a flea market. Night after night, the thin strips of
plastic lying in the box spring to life. They have been clearly filmed
by the same person. Who would have wanted to record these moments?
Calm after a storm, an oriental dancer, mist in Machu Picchu, a
caterpillar eating a leaf and the blaring neon signs of Manhattan.
Mysteriously rippling hustle and bustle in ports that no longer exist.
A million exposed squares of film. Someone’s entire life and
experiences for sale at a flea market.

Antti Seppänen/Illume Film/Finland/2009/57min/Finnish dialogue,
English and Chinese subtitles

岩石的心

抗猫是朋克乐队SUBS的主唱。在《岩石的心》这部电影中，导演Karen Winther跟随了乐队在中国和挪威的巡演，
通过抗猫的现场演出和镜头前的自白给观众提供了一个了解现代中国社会的视角。
这部纪录片让我们看到一个摇滚乐永远不会丢失它颠覆反叛性格，音乐人也超越了追求名利的世界。

Karen Winther /Norsk Dokumentarfilm/中国挪威/2008/58分钟/数码摄像/汉语, 挪威语 中英文字幕
http://www.norskdokumentarfilm.no/

Rock Heart Beijing

Kang Mao is the lead singer of the Chinese punk band Subs. In Rock
Heart Beijing filmmaker Karen Winther follows the band on tour, both
in China and in Norway, and through Kang Mao’s scene performances and
her open-hearted confessions before the camera, the audience is given
a fascinating insight into modern-day China. This intimate documentary
film lets us see a world where playing Rock’n'roll never lost its
subversive and rebellious character, and where musicians strive for
more than fame and fortune.

Karen Winther /Norsk Dokumentarfilm/China, Norway/2008/58min/digital
video/Chinese, Norwegian dialogue, English and Chinese subtitles
http://www.norskdokumentarfilm.no/

电音雷克雅未克

电音雷克雅未克是关于音乐革命的音乐纪录片。电子音乐和八十年代末九十年代初的House音乐影响了整整一代音乐人。这部影片中出现的都是冰岛最地下最实验的电子音乐艺术家。准备好接受超级强烈的节奏和绝对色情的派队的冲击吧！不要错过早期珍贵的舞曲音乐的影像资料和音乐家包括Anonymous,
Biogen, GusGus, Ghostigital的现场！

Arnar Jonasson/Zik Zak Filmworks /冰岛/50分钟/Beta SP/2008年/
http://www.zikzak.is/

ELECTRONICA REYKJAVIK – dir. ARNAR JONSSON

Electronica Reykjavik is the story of a revolution in music. The
electronic and house music of the late 80´s and early 90´s has made
and affected a whole generation of musicians. A scene of mostly
underground and avant-garde Icelandic electronic artists emerged, many
of which are portrayed in the film. Be prepared for the deepest
rhythms of nature and above all a very sexy party.
Featuring highly rare footage from the early days of Dance music as
well as artists such as Anonymous, Biogen, GusGus, Ghostigital and
many more.

Arnar Jonasson/Zik Zak Filmworks /Iceland/50 min/Beta SP/2008/
http://www.zikzak.is/

周六 Saturday 21

15:00    死人财 （瑞典）Necrobusiness (SE) +Q&A (NEW!)95’
17:30    女孩 （挪威）Girls (NO) 86’
19:00    太阳城的幽灵 （丹麦）Ghost of Cité Soleil + Q&A (DK) 86’
21:00    完工派对Afterparty

周日 Sunday 22

15:00    芬兰日Finland day (Auditorium)
15:00    灾难的配方 （芬兰）Recipes for Disaster (FIN) 85’
17:00    冰山的阴影 （芬兰）Iceberg Shadow + Q&A (FIN) 57’
19:00    整容 （芬兰）Facing Changes (FIN) 75’

周二 Tuesday 24

15:00    太阳城的幽灵 （丹麦）Ghost of Cité Soleil + Q&A (DK) 86’
17:00    最后一站 （芬兰）Last Bus Stop (SE) 52’
18:00    最后的晚餐 （瑞典）Last Supper + Q&A (SE) 58’

周三Wednesday 25

15:00    冰山的阴影 （芬兰）Iceberg Shadow (FIN) 57´
17:00    Roskilde音乐节 （丹麦）Roskilde (DK) 99’
19:00    岩石的心 （挪威）Rock Heart Beijing + Q&A (NO) 58´

周四 Thursday 26

15:00    Steypa （冰岛）Steypa (IS) 67’
16:30    放逐 – 与现实无关（挪威）Exile (NO) 48’

周五 Friday 27

15:30    伯格曼之岛 （瑞典）Bergman Islands (SE) 83’
16:30    电音雷克雅未克（冰岛）Electronica Reykjavik 50’ (IS)
17:30    Steypa （冰岛）Steypa 67’ (IS)

周六 Saturday 28

14:00    挪威日 咖啡厅 Norway Day  at Café Lounge
15:00    从监狱到议会 （挪威）From Prison to Parliament + Q&A (NO) 58’
17:00    失忆 （挪威）Hunting Down Memory (NO) 80’
19:00    女孩 （挪威）Girls (NO) 86’

周日 Sunday 29

16:00    食荒者 （瑞典）The Leftovers (SE) 28’
16:30    灾难的配方 （芬兰）Recipes for Disaster (FIN) 85’
18:00    牛粪传奇 （瑞典）Bullshit (SE) 73’

十二月 DECEMBER

周二 Tuesday 1
15:00    最后一站 （芬兰）Last Bus Stop (FIN) 52’
16:00    狗肉的滋味 （挪威）Pining for the Fjords (NO) 73
17:30    牛粪传奇 （瑞典）Bullshit (SE) 73’

周三 Wednesday 2

15:00    瑞典日咖啡厅 Sweden Day at Café Lounge  (NEW DATE)
16:00    伯格曼之岛 （瑞典）Bergman Island (SE) 83’
18:00    最后的晚餐 （瑞典）Last Supper (SE) 58’
19:00    死人财 （瑞典）Necrobusiness (SE) 95’

周四 Thursday 3

16:00    电音雷克雅未克（冰岛）Electronica Reykjavik (IS) 50’
17:00    Roskilde音乐节 （丹麦）Roskilde (DK) 99’
19:00    岩石的心 （挪威）Rock Heart Beijing + Q&A (NO) 58´

周五 Friday 4

15:00     从监狱到议会 （挪威）From Prison to Parliament 58’ (NO)
16:30     整容 （芬兰）Facing Changes (FIN) 75’  ＊导演见面会取消
19:00     失忆 （挪威）Hunting Down Memory + Q&A (NO) 80‘

周六 Saturday 5

16:00    放逐 – 与现实无关（挪威）Exile (NO) 48’
17:00    食荒者 （瑞典）The Leftovers (SE) 28’
17:30    狗肉的滋味 （挪威）Pining for the Fjords (NO) 73

下载活动招贴

Necrobusiness

Ghosts of cite Soleil

Hunting Down Memory

《太阳城的幽灵》- 简介
太子港的贫民窟，太阳城，被称作全世界最危险的地方。这里被一支叫做Chimeres（幽灵）的黑帮势力统治着。而这个黑帮受雇于总统阿里斯蒂德，来对付他的反对党。导演Asger Leth不仅在极端严峻的环境下拍摄了影片《太阳城的幽灵》，还成功地取得了两名最重要的黑帮首领、既是兄弟又是对手的2pac和Bily的信任。这一切的结果就是一部既包含了两兄弟对同一个女人的爱情斗争，阿里斯蒂德的倒台，又包含了他们想要像其偶像-这部影片的作曲-Wycliff Jean那样，通过说唱音乐来逃离贫民窟的影片的诞生。

弗雷德里克.冯.克鲁辛斯特纳 (Fredrik von Krusenstjerna)– 电影《死人财》的导演 NEW
BBC4这样评价《死人财》 (Necrobusiness)：“ 这部杰出的纪录片，通过对波兰历史上最大的一次警方调查，及其过程中各种怪诞的细节的记录，再现了这个巨大的丑闻。” 弗雷德里克.冯.克鲁辛斯特纳将会参加第四届北欧纪录片电影节的开幕式，对话获奖影片导演，就在11月21日。

《死人财》- 简介
这是一部拍摄于波兰罗兹的纪录片。它讲述了90年代末，医护人员和殡仪人员相互勾结，来骗取本应由死者家属得到的政府补贴的事情。而最初的诈骗也演变成了谋杀…

岛之风 – 《失忆》演员
岛之风 – Thomas Lien的电影《失忆》中的男主角，将会参加我们今年的北欧纪录片电影节。据岛之风返回挪威后为其检查的医生说“就好比是你的硬盘被删除了”。在27岁的年龄，他不得不再次学习这个世界的运作法则。请大家来倾听岛之风在本届Nordox电影节上的讲述。

《失忆》简介
《失忆》是一部有关名叫岛之风的挪威男子突然丢失了他27年记忆的真实故事。他不记得自己生命中的任何事情，任何事！对大多数人而言，这将是他们人生中一件不幸且可怕的经历。但对岛之风来说，这却是一场冒险。他既没有受创伤也没有瘫痪，他只是充满了好奇。他想知道在自己身上发生了什么事，当然也想知道干酪和蓝莓派的味道。

其他参加北欧纪录片电影节问答环节的嘉宾
Antti Seppänen（《冰山的阴影》芬兰）
Kimmo Vänttinen（《冰山的阴影》芬兰）
抗猫（中国朋克乐队SUBS主唱）
Mats Bigert（《最后的晚餐》瑞典）
Charlotte Røhder Tvedt（《从监狱到议会》挪威）

想要预先看到吗？预约电影节任何片目的预览放映！
Nordox为媒体记者们提供所有影片在电影节之前的免费放映。放映地点在我们位于草场地的工作室。
*注: 请电话或电邮预约

联系方式:
Nordox愿随时为您提供更多的信息。有关时间、日期及背景的详细信息，请联系:
电影节策划人, 盛海: henriseng [at] gmail.com, 13811284883
Q&A环节负责人, Margrethe Hansen: margretheellegaard [at] hotmail.com, 13020099762
请登录我们的官方网站: www.nordox.cn

Asger Leth – Director of “Ghosts of Cité Soleil”
American film magazine Variety wrote about “Ghosts of Cité soleil”: “It’s amazing it even exists and that the director is still alive”. Danish director, Asger Leth, is now coming to Beijing to attend the openening of the festival, talk about his movie and answer questons from the audience.

“Ghosts of Cité Soleil” – A brief introduction:

The slum of Port Au Prince, Cité Soleil, is named one of the most dangerous places on earth, ruled by the Chimeres – “the ghosts” hired by then president Aristide to fight the opposition. Not only did Asger Leth shoot his film “Ghosts of Cité Soleil” in this extremely dangerous environment – he managed to gain the trust from two of the most prominent gang leaders, 2pac and Bily, brothers and rivals. The result is a movie that contains both the story of two brothers rivalry, the love to the same woman, Aristide’s fall, and the dream of escaping the slum through the way of rap music – like their great idol Wycliff Jean, who produced the music for this film.

Fredrik von Krusenstjerna – director of “Necrobusiness” NEW
BBC4 wrote about Necrobusiness: “An extraordinary scandal is retold by this superb documentary strand, detailing the bizarre circumstances surrounding Poland’s largest police investigation”. Fredrik von Krusenstjerna will guest the opening of Nordox 2009. Meet the director behind the award-winning film November 2

“Necrobusiness” – A brief introduction
A Documentary set in Lodz, Poland, where paramedics and undertagers worked together during the late 90’s to get hold of the government subsidies that relatives of the deceased usually got for the funeral. Something that started as a swindle ended up in murder!

Øyvind Aamot/Wind – Star in “Hunting Down Memory”
Øyvind Aamot, the man portrayed in Thomas Lien’s film “Hunting Down Memory”, will visit this years Nordox Festival. “It’s like having your hard disk deleted,” according to one of the doctors who examined Øyvind when he returned to Norway. At the age of 27, he had to start learning how the world functions. Hear what he has to tell at this year’s Nordox Festival.

“Hunting Down Memory” – A brief introduction
“Hunting Down Memory” is a true story about Øyvind Aamot, who suddenly lost 27 years of his memory. He remembered nothing from his life. NOTHING! For most people, this would have been a dreadful experience, an ominous and frightening event in their life. For Øyvind, it was an adventure. He is neither traumatized nor paralyzed, he is just curious. He wants to know what happened, but he would also like to know what cottage cheese and blueberry pie taste like.

Other guests attending Nordox’ Q&A sessions:
Antti Seppänen (Iceberg Shadow FIN)
Kimmo Vänttinen (Iceberg Shadow FIN)
Kang Mao (Leadsinger for Chinese punk band the SUBS)
Mats Bigert (Last Supper SE)
Charlotte Røhder Tvedt (From Prison to Parliament NO)

Want to be one step ahead? Order a pre-festival screening of any film shown on the festival!
Nordox offers all journalist free screenings of all the movies shown prior to the festival. The screenings take place at our office in Caochangdi.
*Note: Please call or e-mail to make reservation.

Contact information:
The Nordox team is always ready to provide you with more information. For details on time, dates and background information please contact:

Henri Seng, Festival Director: 
Email: henriseng@gmail.com    Phone: 13811284883
Margrethe Hansen, responsible for Q&A sessions:
E-mail: margretheellegaard@hotmail.com   Phone: 13020099762

Please visit our webiste: www.nordox.cn

策划：盛海
执行：何京蕴
协调：韩玛丽
策展助理：张琛琛，卢乐华
媒体推广：姜南
志愿者：郑博星，温慧，吕阳，戴宗，圈儿, 张弩兮, 王金金 , Yolanda, Alison Ip, Kevin Karim Lee, 潘璐璐
翻译：张静，Emily
媒体：info@ccd300.com
电话：13811284883
设计：大地诗歌
官方网站：www.nordox.cn
地址：北京市朝阳区草场地300号

Head of Programme: Henri Seng
Programme co-ordinator: Anouchka van Driel
Programme consultant: Tine Fisher, Agneta Mogren
Festival co-ordinator: Margrethe Hansen
Curator asistant: Zhang Chenchen, Kate Lu
Media promotion: Jiang Nan
Volunteers: Zheng Boxin, Lu Yan, Wen Hui, Yolanda, Lusie, Justin Cai, Alison Ip, Kevin Karim Lee, Pan Lulu
Translation: Emily, Zhang Zing
Media contact: henriseng@gmail.com 13811284883
Production: LANDSKAPSPOESI
Official website: www.nordox.cn

NORDOX CAOCHANGDI 300, CHAOYANG DISTRICT BEIJING. TEL: 0086 10
64910964 INFO@CCD300.COM

尤伦斯当代艺术中心是一座非营利的综合艺术中心，由收藏家尤伦斯夫妇出资建造，2007年11月正式开幕。艺术中心推出包括知名和年轻艺术家的展览，致力于打造一个通过教育、研究项目分享当代艺术体验的平台。

Ullens Center for Contemporary Art (UCCA) is a non profit, comprehensive art center founded in Beijing by collectors Guy and Myriam Ullens in November 2007. UCCA presents exhibitions of established and emerging artists and develops a trusted platform to share knowledge through education and research.

第一届北欧纪录片电影节是06年大山子国际艺术节视觉艺术单元的一部分。电影节展出了包括Lars von Trier获奥斯卡最佳纪录片提名的作品《五道电影难题》在内的九部北欧电影力作，每天两场，历时一个星期，赢得了观众积极的反响。影展探讨了记录片作为大众传播媒介的多种表达方式，展出了瑞典，丹麦和挪威近年出品的种类风格徊异的记录片。影展还重点介绍了国际大导演Lars von Trier的记录片宣言Dogumentary Manifesto。与中国观众一起讨论记录片宣言中以限定操控的方式来接近真实的努力。电影节得到了包括瑞典，挪威和丹麦大使馆，北欧各国电影协会以及所有导演的大力支持。据统计，参加电影节的电影爱好者，学生，普通观众加上记录片工作者近千人。

2007年，北欧纪录片节与绿色和平合作在798艺术节和迷笛音乐节上播放了瑞典电视台有史以来最大的记录片投资项目－《地球》。以求唤起更多的人对全球变化问题的关注。地球的导演之一约翰索德伯格访问了影展，瑞典大使林川亲自到场致词并观看了电影。

2008年北欧纪录片电影节计划把主题和焦点放在国际社会生活中的新闻事件和社会问题。探讨记录片作为大众传播媒体所承载的社会意义。作品有关全球化问题，有关战争与恐怖主义，移民和宗教，有关消费与人文环境问题等。我们推荐的影片包括了倍受国际媒体关注的挪威纪录片《USA vs Al Arian》和获IDFA伊文斯大奖的丹麦纪录片《修道院》等十几部影片。

Nordox is an annual meeting point for Nordic documentary films held in Beijing, China. The festival is recognized as a place to meet new, creative, cutting-edge contemporary documentary film from the Nordic countries where every year new themes and perspectives are explored. The festival attracts a high presence of Chinese as well as an international audience in Beijing.

Nordox was founded in 2006 as part of the Dashanzi International Art Festival on the grounds of 798 art district. The festival programme was set up as an exploration into the film language for documentary. With its 2006 selection Nordox aimed to transcend the boundaries of existing documentary film classification. The programme especially focused on director Lars von Trier’s Dogumentary Manifesto, this was chosen to set off a discussion about minimizing manipulation within documentary film production and whether or not this could bring us closer to reality. The festival received positive feedback from both audience and media. Over the course of the week the festival received an estimated 1000 festival visitors.

The 2007 version of Nordox took place at both the 798 Art Festival and the MIDI Music Festival, in co-operation with Greenpeace, Nordox showed one of the most ambitious projects in the history of the Swedish National Television Company – “The Planet”, as a call for more environmental awareness and action. The film was widely seen and well received by the Midi Festival and 798 Art Festival visitors.

International news cases and their social and political implications were a focus point for last year’s Nordox 2008 festival, this was set up as a platform to discuss the social and ethical value of documentary film art as a form of mass media. 2008 saw an extension of our programme with numerous director and filmmaker visits and Q&A discussions with an enthusiastic audience response. The festival was held inside UCCA, Ullens Center for Contemporary Art’s screening room, inside the 798 art district. UCCA founder Guy Ullens and the Swedish ambassador Mikael Lindström attended the opening.

Nordox has its own project space in Caochangdi in the east of Beijing. Beside functioning as an office for the festival preparation it also hosts the Nordox film archive. The archive is set up as a non-profit organisation for film study, research and reference where films from current or previous years of Nordox can be viewed at zero cost. We have set this up to foster a stonger platform for discussions and idea exchange. If you’re interested to learn more or would like to schedule a screening please call: 13811284883

我们诚挚地邀请各位的来参加我们2008年的第三届北欧纪录片展映Nordox，这一届影展中将展出更新更精彩的北欧纪录片。一年一度的Nordox由策划人盛海于2006年创办，曾经是大山子国际艺术节的一部分。今年的Nordox为期一周，从10月18日至10月25日于北京798艺术区的尤伦斯当代艺术中心展出。

Nordox旨在将北欧纪录片制作的最新发展呈现给观众，同时也为欧洲和亚洲的纪录片观众提供一个供讨论和交换意见的平台。年复一年，我们看到北欧国家推出大量精彩而又振奋人心的高质量的片子。就水准而言北欧纪录片无论在创意和制作上都有可借鉴之处，这不仅归功于一大批训练有素和敢想敢干的创意队伍，也归功于热心推崇记录片事业的观众群。加上相对完善的资金支持和文化批评，使得北欧每年都有大批好作品出现。我们真诚地希望与北京的观众一起分享他们的成果。

2008年北欧纪录片影展把主要焦点放在国际社会生活中的新闻事件和社会问题，探讨记录片作为影像艺术和大众传播媒体所承载的社会意义。我们想要传达北欧国家对于全球化，战争与恐怖主义，言论自由和消费等问题的不同的声音与见解。我们展示的纪录片关注的不仅仅是北欧地区自身的发生发展，更多的是关于发生在千里迢迢之外的这个日益错综复杂的世界。随着全球政治与我们的日常生活的关系变得愈加紧密，我们每个人对于国际事态的观点也变得愈发重要。通过这些纪录片我们可以看到权力和政治怎样直接或间接的影响每个人每天的生活。

在参展的影片当中，Nordox2008将放映由挪威导演Line Halvorsen执导的片子”USA vs Al-Arian”。故事追踪Sami Al-Arian的案件。在缺乏确凿证据的情况下，他被美国政府指控与恐怖份子勾结。影片深入地记述了此案的进展以及它对Al-Arian家庭的影响。另一部参展的影片是由芬兰制片人Elina Hirvonen所制作的《天堂—旅行三部曲》。由三个小片段所组成的故事讲述了非洲移民涌向欧洲，企盼在欧洲开始新的生活。镜头下美丽的画面与故事本身所传达的艰辛成了鲜明的对比。由导演Mikael Wiström和Alberto Hersckovits所执导的《庇护所》让我们的心更贴近家的方向。影片将一位音乐家，一位摄影师记录所拍摄的昔日瑞典风景和一位著名瑞典诗人的诗歌错综复杂的交织在一起，呈现出了一段极富诗意美感的荒诞离奇的电影之旅。影展中的这一类有关艺术家和艺术项目的影片也给我们提供了艺术创作的独特视角。

我们要感谢尤伦斯当代艺术中心，挪威大使馆，瑞典大使馆，瑞典电影协会，挪威电影协会，瑞典学院，赫尔辛基艺术学院，我们特别感谢费大为，郭小晖和Tempo纪录片电影节主席Agneta Morgren。有了他们的支持使得这届影展成为可能。

2008 brings us to the third edition of Nordox and we have the pleasure of inviting you to come and enjoy an all new selection of Nordic films at a great venue!

Nordox aims to showcase the most recent developments in documentary film making from the Nordic world as well as to create a platform for discussion and exchange between both ends of the Eurasian continent. Year upon year we see a wide range of interesting, captivating and well-made films coming out of the Nordic countries. The region’s well-trained professionals, film funding system, film critics and its indispensable audience makes for a very high quality of documentary films. We’d very much like to share a slice of this Nordic film flavour with the audience in Beijing. The festival started in 2006 and is held annually. Nordox 2008 will take place from October 18th to 25th at the Ullens Center for Contemporary Art.

In 2008, a focus point for this year’s festival will be the social and political investigation of international news cases, to discuss the social and ethical value of documentary film art as a form of mass media. We would like to show that there are many different voices within the Nordic countries that express their political opinions on world issues, such as globalization, war, terrorism, freedom of expression and over-consumption, in a very unique way. Therefore we aim to show critical reflections from the Nordic world not only on developments within their own borders but also those taking place millions of miles away.

Nordox 2008 will also be welcoming Line Halvorsen director of the film USA vs Al-Arian and Maud Nycander director of The Nun to the Nordox auditorium at UCCA for a presentation of their work and Q&A sessions with you, the audience…

Nordox would like to extend their thanks and sincere appreciation to the following organizations: Ullens Centre for Contemporary Art, The Royal Norwegian Embassy, The Embassy of Sweden, The Norwegian Film Institute, The Swedish Film Institute, The Swedish Institute and the University of Art and Design Helsinki UIAH. Special thanks to our co-programer Agneta Mogren of TEMPO Festival Stockholm and to Fei Dawei and Emma Guo of UCCA.

We hereby invite everyone to come out and join us for seven days of punk rock, summer holidays, monastries and spanish tomatoes…

PROGRAMME 2008

《修道院》

电影讲述一个从未经历爱情的八十二岁的单身老男人维戈先生和年轻的俄罗斯修女安夫罗西娅如何投缘进入对方的生活的一故事。五十年前维戈买了海氏伯城堡，并计划把城堡变成了修道院。现在他的梦想就要成真，因为有一群俄罗斯尼姑已经在来这儿的路上了。但是，尼姑们有自己的计划和愿望，维戈先生必须明白通往梦想成真的道路并非和想像的一样吻合。该片在2006年在荷兰的IDFA国际纪录片电影节上获伊文斯大奖。

Pernille Rose Grønkjær | SF Film Production | 丹麦 | 2006 | 84 分钟 | 35毫米 | 丹麦语, 英语和俄语 中英文字幕 | www.themonasterymovie.com

The Monastery

This film shows the story of the 82-year-old bachelor Mr. Vig, who has never known love, and Sister Amvrosija, a young Russian nun, who by chance, or destiny, becomes part of his life. 50 years ago Jørgen Lauersen Vig bought Hesbjerg Castle, with the purpose of turning it into a monastery. Now, years later, he is about to realize his dream. A group of Russian Orthodox nuns are on their way, and thus Mr. Vigs life-long dream is about to come true. But, nuns have plans and wills of their own, and Mr. Vig must realize that the road to fulfilling his dream is very different than what he imagined. The film won IDFA’s Joris Ivens award in 2006.

Pernille Rose Grønkjær | SF Film Production | Denmark | 2006 | 84 minutes | 35mm | Danish, English & Russian with Chinese & English subtitles | www.themonasterymovie.com

________________________________________________________________________________

《世界的边境》

1952年至1972年，20年间，一家州立孤儿院强制性的将128位小男孩从他们原本的家庭中夺走，在那儿他们遭受了身心的虐待和侵犯。曾经被送往这一家孤儿院的男孩中的绝大多数人，长大后都无法融入社会，继而被送往监狱及精神病院的。这些男孩中超过30位结束了自己的生命。

在这部影片当中，6位曾被送往这家孤儿院的男人，分享了他们的故事。他们到底过着什么样的生活，以及这段经历如何影响了他们的一生。这是一部满怀情感的片子，一个用尊严和沉默说出的故事。

Ari Alexander Ergis Magnusson & Bergsteinn Björgúlfsson | TC-Films | 冰岛，挪威 | 2007 | 93 分钟 | 35毫米 | 冰岛语配中英文字幕

At the Edge of the World

From 1952 until 1972 one hundred and twenty-eight boys were taken from their families at a young age and placed in an institution, run by the state, where they suffered physical, sexual and psychological abuse.

A large number of those committed to this institution came into conflict with society and ended up in jails and psychiatric institutions. More than 30 of the 128 boys have ended their lives.
In the film, six of the men who were sentenced to the institution as boys, tell their story and how the stay there has influenced all their life. It’s an emotional story, told with dignity and reserve.

Ari Alexander Ergis Magnusson & Bergsteinn Björgúlfsson | TC-Films | Iceland, Norway | 2007 | 93 minutes | 35mm | Icelandic with English & Chinese subtitles | www.breidavik.com

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《白俄罗斯的华尔兹》

在白俄罗斯，极权主义的政权镇压着所有反对的声音。任何一位批评统治者的人都将面临被囚禁和折磨的惩罚。《白俄罗斯的华尔兹》描述了一位行为艺术家Alexander Pushkin的亲身经历，他是少数不屈服于强权的人。冒着有可能被处死的危险，他组织了群众替身演员模仿并嘲弄总理卢卡申多（Lukashenko）。通过他的艺术和幽默感，我们对白俄罗斯人有了更进一步的了解。

关于导演：
Andrzej Fidyk为波兰和英国的电视业执导了超过40部片纪录片，获奖无数，获得“波兰最佳纪录片导演”的殊荣。他的影片大全中包含了BATTU’S BIOSCOPE (aka MOBILE CINEMA OF DREAMS, 1998) 和THE PARADE (1989)。这是他为Piraya Film所拍摄的第一部纪录片，第二部(YODOK STORIES)目前仍处于制作阶段。

Andrzej Fidyk | Piraya Film | 挪威 | 2007 | 74 分钟 | DIGIBETA | 白俄罗斯语与俄语配中英文字幕
Belarusian Waltz

In Belarus, the totalitarian regime cracks down on all opposition. Anyone criticising the dictator risks imprisonment and torture. The film, Belarusian Waltz follows the incredible personal story of the performance artist Alexander Pushkin, who is one of very few who is not scared. Facing grave consequences he organizes public stunts that mock president Lukashenko. Through his art and sense of humour we take a deep dive into the soul of the Belarusian people.

about the director:
Andrzej Fidyk has directed more than 40 documentaries for Polish and British television and has received numerous awards for his work. Fidyk is by many regarded as Poland’s finest documentary director, and his filmography includes titles such as Battu’s Bioscope (aka Mobile Cinema of Dreams, 1998) and The Parade (1989). This is his first documentary for Piraya Film; his second one (Yodok Stories) is in production.

Andrzej Fidyk | Piraya Film | Norway | 2007 | 74 minutes | DIGIBETA | Belarusian & Russian with Chinese & English subtitles | www.belarusianwaltz.org|

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《丽丽》

“我会把自己塑造成我想要成为的那个人”
影片描写了Lilli,一个沉迷于鸦片的少女逐渐转变为女人的过程。在她的日记里面，坦白地记录了20岁以前她的感情，观念和幻想。

关于导演：
原籍波兰的导演Oliwia Tonteri于赫尔辛基艺术学院UIAH, School of Motion Picture, Television and Production Design学习纪录片导演。

Oliwia Tonteri | 芬兰 | 2007 | 26 分钟 | 超8 | 中英文字幕

Lilli

“I will make myself into what I want to be.”

The film draws a picture of Lilli, a young opiate addict growing into womanhood, by looking at her diaries in which she vividly conveyed her feelings, perceptions and fantasies until the age of 20.
about the director: 
Oliwia Tonteri studies documentary film directing at the University of Art and Design Helsinki UIAH, School of Motion Picture, Television and Production Design. Oliwia Tonteri is originally Polish.

Oliwia Tonteri | Finland | 2007 | 26 minutes | Super 8 | Finnish with Chinese & English subtitles

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《我的女儿是恐怖分子》

影片记录着女孩Dharsika和Puhalchudar，这两位来自精英部队，被授予特殊任务女兵的生活。我们分享她们的童年经验，梦想，和她们家庭的巨大损失。这两位普通女士兵的感情亲密无间，7年来，她们一起生活，一起训练，一起作战，在普通战役下，被她们杀死的敌兵已无法估算。这一次，她们被授予一项终极任务：在自己的身上缠上炸药并将之引爆。这炸药足以将自己和方圆100英尺以内的所有东西炸成碎片。

Dharsika的家庭很典型，父亲在战争中牺牲了，母亲在艰难的环境下把孩子抚养成人。当父亲的尸体刚刚入土，女儿就离开家里，投身成为恐怖分子。女儿不顾一切献身祖国的精神，母亲引以为荣。

关于导演：
Beate Arnesta投身影视界多年，在挪威广播公司(NRK)参与不同部门的工作，但以文化和娱乐为主。她的第一部纪录片“Where the waves sing” (2002)，记录了居住在丹麦和挪威位于印度的殖民地特兰奎巴的一位退休的画家和一位总督的生活。
2003至2006年，居住在斯里兰卡的她，开始探讨亲历战争的女性的观念和想法，于是，《我的女儿是恐怖分子》就面世了。目前，她正在筹备着另一部关于非洲历史的纪录片。

Beate Arnestad | Snitt | 挪威 | 2007 | 60 分钟 | DIGIBETA | 印度语配中英文字幕

My Daughter the Terrorist

What makes anyone want to blow themselves up for a cause? In this intimate and personal portrait we join two young female elite soldiers of Sri-Lanka’s Tamil Tigers trained for the ultimate mission. We share their childhood experiences, their dreams and their families’ loss. Left behind are the mothers.
Dharsika and Puhalchudar belong to the last batch of the Black Tigers, and are now equipped for the last mission: strapping an American-made Claymore mine to their bodies, able to blow themselves and everything within 100 feet to pieces. We first meet them at an optimistic time: The peace talks are making progress, and the Black Tigers are officially decommissioned. The girls are serving as ordinary soldiers.

The girls have a close friendship. For seven years they have been eating, sleeping, training and fighting side by side. They can survive for weeks in the jungle without supplies. They don’t know exactly how many enemies they’ve killed in ordinary battle.

Dharsika’s family is typical: the father died in the war. We meet her mother, who has been struggling to bring up her family in a war-torn society. She tells us that Dharsika stayed with the family just long enough to bury her father, then disappeared into the guerilla’s hands. She is proud of her daughter’s fight for their homeland.

about the director:
Beate Arnestad worked for many years and in many different positions at Norwegian broadcaster NRK, mainly in the divisions of culture and entertainment. Her first documentary was “Where the waves sing” (2002), tracing the life of a former painter and governor in the forgotten Danish-Norwegian colony Tranquebar in India.
While living in Sri Lanka from 2003 to 2006, she started exploring the concept of women in war, which turned into the film “My daughter the terrorist.” She is currently starting work on a new documentary, this time based on recent African history.

Beate Arnestad | Snitt | Norway | 2007 | 60 minutes | DIGIBETA | Tamil with English & Chinese subtitles

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《尼姑》

玛塔在她就十九岁的时候做了一个极端的选择。加入了瑞典南部的天主教佳美修道院，所有教会中最极端的组织。她在一个彻底与外界隔离的院子里默默生活了十年，　每年只能有七次机会与家人见面，并且是在用栅栏隔离的房间里。导演Maud Nycander为了创作这个记录片从1996年开始跟随她和她的家人近十年。

关于导演：
Maud Nycander是一位居住在斯德哥尔摩的纪录片制片人，她之前制作的片子包含了大获好评的Love and Fish Fingers (Kärlek och fiskpinnar, 2004)和The Latin Kings (2004)。

Maud Nycander | Mantaray Film & TV Production | 瑞典 | 2007 | 58 分钟 | BETA | 瑞典语配中英文字幕

The Nun

A documentary about a young Swedish woman’s decision to devote her life entirely to God. Completely closed to the mass media and all outsiders, the Carmelite Convent in Glumslöv in the south of Sweden granted an exception for Maud Nycander to meet and interview Marta at the end of her novitiate.

Nycander has followed Marta and her family since 1996 when Marta graduated from high school and made her radical decision. The film is an extraordinary meeting with a deeply religious family. The Nun was winner of Prix Italia 2007 and got a Swedish Guldbagge for best documentary 2007.
about the director:
Maud Nycander is a documentary filmmaker who lives in Stockholm. Her previous films include the highly acclaimed Love and Fish Fingers (Kärlek och fiskpinnar, 2004) and The Latin Kings (2004).

Maud Nycander | Mantaray Film & TV Production | Sweden | 2007 | 58 minutes | BETA | Swedish with English & Chinese

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《天堂 — 旅行三部曲》

一部关于梦想，移民和西班牙西红柿的纪录片
“我以为我去了欧洲以后，一切都不会有问题。当我来到了欧洲，我哭了。当我来到了西班牙，我也哭了。”

Elina Hirvonen’s的《天堂 –旅行三部曲》是一部关于非洲移民到欧洲的富有诗意的纪录片。在第一段旅程中，我们沿着西红柿货车去往西班牙艾美利亚的线路，而这条线路也是非洲的非法移民将他们收割的蔬菜运送给欧洲消费者的一条线路。路上，我们遇到了24岁的Bakary Fofana，为了实现梦想，他离开了自己的家乡马里。追求更好的生活。第二段旅程把我们带到了摩洛哥，在这里有无数的移民，为了能够去往欧洲，他们愿意付出一切，不惜任何代价。在这儿，我们遇见了在象牙海岸从战争中逃出来的Adam。此时的他，已从摩洛哥和毛里塔尼亚边界的沙漠走了1000多公里，迈向首都Rabat.第三段旅程则是越过沙漠，去往Bakary Fofana位于马里和毛里塔尼亚边境的家乡。

关于导演：
身兼记者和作家身份的Elina Hirvonen毕业于赫尔辛基艺术学院UIAH, School of Motion Picture, Television and Production Design.她的处女作“当我忘记了(When I Forgot)”于2005年在芬兰推出，授权予英国，瑞典，德国，波兰，爱沙尼亚，意大利，冰岛的出版商进行翻译。目前定居赞比亚。

Elina Hirvonen | 芬兰 | 2007 | 51 分钟 | Mini DV | 西班牙语,法语, 班巴拉族语, 索宁克语配中英文字幕
Paradise – Three Journeys in this World

A documentary film about dreams, immigrants and Spanish tomatoes

”I thought that when I go to Europe, everything would be fine. When I came to Europe, I cried. When I came to Spain, I cried.”

Elina Hirvonen’s Paradise – Three Journeys In This World is a poetic documentary about immigration from Africa to Europe. In the first journey we travel along the route of tomato trucks to Almeria, Spain, where illegal immigrants from Africa harvest vegetables for European consumers. We meet 24-year-old Bakary Fofana, who, dreaming of a better life, has left his home village in Mali. The second journey takes us to Morocco, where numerous immigrants are willing to do anything to get to Europe. We meet Adam, who has escaped war in the Ivory Coast. He has walked over 1000 kilometres from the desert on the border of Morocco and Mauritania to the capital, Rabat. The third journey takes us through the desert to Bakary Fofana’s home village on the border of Mali and Mauritania.

about the director:
Elina Hirvonen works as a journalist and author. She also studies documentary film at the University of Art and Design Helsinki UIAH, School of Motion Picture, Television and Production Design. Her debut novel ‘When I forgot’ was published in Finland 2005, and the translation rights have been sold to British, Swedish, German, Polish, Estonian, Italian and Icelandic publishers. She currently lives in Zambia.

Elina Hirvonen | Finland | 2007 | 51 minutes | Mini DV | Spanish, French, Bambara, Soninke 
with Chinese & English subtitles

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《庇护所》

庞克音乐家David Sandström在美国的一场音乐会上与他的乐队成员发生冲突。庞克音乐曾引领他走向世界，现在他决定寻找回归之路，到瑞典北方的家乡去制作音乐。David的奶奶曾将Sara Lidman的两本书放在他手上。而后他也将Sune Jonsson的照片挂在自己在Umeå的公寓里。此后，Sara Lidman的书和Sune Jonsson的照片成为了他永久的精神伴侣。影片中，Sara的文字，Sune的照片和David的音乐交相叠印，引领我们走向内心的家园。

Mikael Wiström & Alberto Hersckovits | Månharen Film & TV | 瑞典 | 2007 | 56 分钟 | HDV | 瑞典语，中英文字幕

Sanctuary

Musician David Sandström crashed when his punk band Refused came to a brutal halt during a US-gig in 1998. Punk had delivered him into the world. Now he returned to his native Västerbotten in the north of Sweden to make music that could bring him home, to his own family. David’s grandmother put the books The Tar Still and Cloudberry Land by Sara Lidman in his hands. The photographs of Sune Jonsson entered his apartment in Umeå. Since then Sara Lidman is his constant companion. In the film Sanctuary (Tillflykt) her words and the photographs of Sune Jonsson are weaved together with David’s music and his own travelling inwards and homewards. Sanctuary tries to touch what Sara Lidman once expressed; “I want to depict everything, but the things I most dearly want to get down on paper are the most difficult; I will never be able to catch them: the Forests and the Music!

”

Mikael Wiström & Alberto Hersckovits | Månharen Film & TV | Sweden | 2007 | 56 minutes | BETA | Swedish with Chinese & English subtitles

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《夏天的孩子》

坐落于芬兰交界40英里处，俄罗斯一家孤儿院发起了这么一个善举：芬兰夫妇，家庭或是一些上了年纪的市民可以利用假日时间领养院内的这些孩子。两个不同经济状况的国家之间有这么一个善意的行为，在世界上并不少见，但鲜少人研究这当中的利益和动机。这部纪录片记录了来自孤儿院一位11岁女孩Svetlana被养父母领养后的旅程和心情。慈善真的能挽救一个破碎的童年吗？纪录片记录了在西部城市的一个家庭，一个暑假。

关于导演：
Iris Olsson (b. 1981)在赫尔辛基艺术学院, School of Motion Picture, Television and Production Design，纪录片导演专。现在的她是影视圈内的自由工作者，此外，她还教塞内加尔的小孩影片制作。《夏天的孩子》是她在UIAH的第二部影片。

Iris Olsson | 芬兰 | 2007 | 60 分钟 | Mini DV | 芬兰与俄罗斯语配中英文字幕

Summerchild

Situated just 40 miles from the Finnish border, a children’s home in Russia has been practicing a form of charity where Finnish couples, families or senior citizens can offer to take care of a child during their vacation time. A form of charity between countries which have different economic situations is not at all unique in the world, but its benefits and motives are very little studied. The documentary follows the journey and emotions of Svetlana, an 11-year-old girl from the orphanage, and Tiina and Peter as they are brought together by good means. Does charity have the possibility to save a broken childhood? A documentary film about summer vacation in the west and into a family.

about the director:
Iris Olsson (b. 1981), is studying documentary film at the University of Art and Design Helsinki UIAH, School of Motion Picture, Television and Production Design. She has worked as a free lancer in the field of television and film production and taught film making to children in Senegal. Summerchild is her second film made at the UIAH.

Iris Olsson | Finland | 2007 | 60 minutes | Mini DV | Finnish & Russian with Chinese & English subtitles

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《美国vs阿里安》

USA vs AL-Arian是关于一个美籍阿拉伯家庭被美国政府拆散的故事。一个家庭如何面对被恐怖主义气氛笼罩下的反穆斯林情绪。多年来，Nahla为她的丈夫和孩子们的父亲沙米的无辜而奔走。沙米，这个在美国居住了三十多年的巴勒斯坦难民，大学教授和人权活动家。2003年被指控向恐怖组织提供物质援助，被禁闭达三年之久。长达六个月的审判结果是无罪但不能释放。因为起诉方申请复议。2006年五月他同意与美国政府达成交易，联邦政府判了他57个月监禁，之后驱逐出境。沙米的案件是美国911事件之后匆忙订立的值得争议的新宪法《爱国者法案》的第一批案例之一。

Line Halvorsen | Dalchows Verden | 挪威 | 2007 | 99 分钟 | 35mm | 英语配中文字幕

USA vs Al-Arian

The film draws an intimate family portrait that documents the American-Muslim family Al-Arian’s desperate attempt to fight terrorism charges leveled by the US Government.
In February 2003, university professor and pro-Palestinian civil rights activist Sami Al-Arian was arrested in Tampa, Florida, charged with providing material support to a terror organization. For two-and-a-half years he was held in solitary confinement, denied basic privileges and given limited access to his attorneys. While the Bush administration considered this a landmark case in its campaign against international terrorism, Sami Al-Arian claims he was targeted in an attempt to silence his political views.

The film follows Sami Al-Arian’s wife Nahla and their five children throughout his 6 month-long trial. It is an intimate family portrait that documents the strain brought on by the trial, a battle waged both in court and in the media. The film raises questions on whether it is possible for a man like Sami Al-Arian to receive a fair trial in the United States given the current hostile environment against Muslims and the strong US support of Israel. It presents democracy in a new light in a post-9/11 culture of fear. It is also an example of how the American government’s hunt for terrorists is a struggle that can be seen from multiple angles.

about the director:
Line Halvorsen was educated at the University of Trondheim and Documentary Department at the Volda University College.

Line Halvorsen | Dalchows Verden | Norway | 2007 | 99 minutes | 35mm | English with Chinese subtitles |

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《沙漠城堡》

荒漠之中，一个全新的都市! 一个标志性建筑－是泰姬陵还是悉尼歌剧院，通向城市的必由之路，整个世界的象征。导演凯狄跟随挪威建筑师斯诺赫达在阿联酋哈伊马角的独一无二的建筑项目中下赌注。

Eirin Gjørv | Lightsource Film Productions | 挪威 | 2007 | 50 分钟 | DIGIBETA

The Desert Castle

A brand new capital – in the middle of the desert! And an Icon building – a Taj Mahal or a Sydney Operahouse, that will be the gateway to the city and a symbol to the entire world!
In this film we follow the Norwegian Architectural firm Snøhetta and its director Kjetil Thorsen in their bid for adventurous and ground-breaking architectural challenges in the Arab sands of Ras Al Khaimah.

about the director:
Eirin Gjørv, director of the Desert Castle, is a graduate of the Norwegian National Film School. Before she started working with films she had also graduated from The University of Oslo studying Social- Anthropology, Geography and World Religions as well as working with refugees for the Norwegian Peoples Aid. She has directed numerous TV- drama episodes and short films as well as 11 short documentaries. The Desert Castle is her first 50 minute documentary.

Eirin Gjørv | Lightsource Film Productions | Norway | 2007 | 50 minutes | DIGIBETA | English & Norwegian with Chinese & English subtitles

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《罗伯托的阴影》

1973年，罗伯托 沙迪瓦被捕后被关在智利北部的一个废弃的硝矿，这里曾经作为关押政治犯的集中营。20年后他重新面对自己的记忆。从此以后，他孤自一人住在了那儿。

Juan Diego Spoerer 和 Håkan Engström | 瑞典 2007 | 29分钟 | Digibeta | 西班牙语，中英文字幕

Don Roberto’s Shadow

In 1973 Roberto Saldivar was arrested and imprisoned in an old Salpetermine in northern Chile. The mine was used as concentrationcamp for political prisoners. 20 years later he returned to confront his memories. He has now lived there since. Alone.

Juan Diego Spoerer & Håkan Engström | Sweden | 2007 | 29 minutes | DIGIBETA |
Spanish with English & Chinese subtitles

The filmmakers collectively hail from a handful of countries with a total population not much larger than Beijing’s, but when it comes to content, this year’s films target a smorgasbord of locations around the globe, and present a line-up of some of the most compelling cinema classifiable under this year’s theme of “International News Stories.” The selection for this year’s festival began at Sweden’s Tempo Documentary Film Festival, where Seng served as a member of the festival’s jury. “We tried to stay away from the made-for-TV style of documentary, with lots of narration and interviews,”says Anouchka van Driel, who runs Nordox with Seng.

Among the selection is the hauntingly poetic Paradise: Three Journeys in the World, a film separated into three stories telling of African emigration to Europe, each of which rip apart the fantasy of seeking out the better life abroad. The film juxtapose the two continents and creates a striking contrast between the different landscapes and cultures, vividly portraying the hardships borne by Africans who look towards Europe for a way out of poverty. One story follows the lives of illegal immigrants who sleep on the streets while working at a farm in Spain picking tomatoes to sell on European markets, while another documents the life of a man who tried to swim to Spain from Morocco, is captured, driven hours into the middle of the desert and abandoned.

The focus of these films is certainly on international news-for example, USA vs Al-Arian calls attention to the unjust detainment of terrorist suspects in the United States, and Belarussian Waltz tells of a single Belarus activist’s lone protests against the government. But Seng’s personal top pick of the festival, Sanctuary, is cut from a different cloth：Hardcore punk musician David Sandström goes home to Sweden after the dramatic breakup of Refused, his legendary straight-edge-hard-core punk band. In the film，Sandström’s grandmother gives him the books of Sara Lidman and the photographs of Sune Jonsson, which become an integral element of the film. Words and photos are weaved together with Sandström’s music to present an Introspective journey home from an unusual angle — one that begins in the hardcore underground punk clubs of the United States and ends in a quiet Swedish countryside, where Sandström grew up. “It has a very new style of editing” Seng remarks.

The selection will also include some lighthearted films; To China on a Shoestring, for instance, is about two Norwegian backpackers who hitchhike to China across Europe, Turkey, Iran and Pakistan，and how they are able to do it without carrying any money. The film bridges the 10,000km wide geographical gap by showing the strangers they befriend along the way-itself exactly the cultural gap the festival is trying to cross.

The global scope of these film is, each in its own way, very local and human. Though they may involve people and places on the other side of the planet, “stories like these can happen anywhere in the world” van Driel states. “That’s the good thing about film art,” says Seng, “you can tell a story in so many different ways.”

Mary X.Dennis  “The Beijinger” October 2008

In 2007 Nordox collaborated with Greenpeace China, MIDI music festival and the 798 festival in screening the film “The Planet” , one of the largest documentary productions in the history of the Swedish television company. The film was chosen to foster more environmental awareness and action among the Chinese youth.

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“纪录电影《地球》中国首映”

我们只拥有一个地球，而它的资源是有限的!

全球变化和温室效应近年来成为国际社会关注的热点问题，去年九月，大型纪录片《地球》问世。该片是瑞典电视台，瑞典电影协会，北欧电影基金会，瑞典环境保护和科学组织，学者和电影创作者等众多机构前后两年的合作结晶。《地球》中国首映活动于今年五月一日至八日先后在迷笛音乐节和798艺术区举办。届时绿色和平将推出相应的宣传活动，导演约翰索德伯格也将到现场与观众交流。我们希望通过这样的活动，让更多的人来关注环境，了解我们赖以生存的地球的健康状况。特别是在经济飞速发展而环境问题日益突显的今天。

时间：2007年5月1日－5月4日 下午 14:00 16:00 18:00
(凭迷笛音乐节门票免费观看）
地点：海淀公园，迷笛音乐节

时间：2007年5月5日－5月8日 晚上20:00 (免费入场）
地点：酒仙桥路四号大山子艺术区，时态空间，

电影简介：

《地球》在试图寻找一种答案，有关正在兑现的全球变化警兆的真实与否。它是北欧有史以来覆盖面最广的一个纪录片项目。摄制组用了两年时间在世界各地走访了 25个国家。电影《地球》以完美的影像视觉语言和震撼人心的内容引发了社会各阶层对环境问题的关注。《地球》讲述的不仅仅是气候变化，它更多是的关于地球本身的一种全球范围的变化。而这一切与我们的未来 息息相关。

统计：
－50％的地球表面被人类改造过
－至少15％的动植物面临着绝种的危险
－最近22年是1980年以来有记录的最热的22年
而这之间的关系是什么？

纪录电影《地球》首映式由盛海发起，迷笛音乐节，798艺术接和798时态空间主办，绿色和平协办。感谢瑞典王国驻华大使馆，瑞典电影工业和导演 Michael Stenberg, Johan Söderberg和平Linus Troell。特别感谢张帆，朱其，文琳，徐勇，舒阳，穆锐涵，索菲娅，张可，施鹏翔，王伟康，虞鑫，何京蕴，阮沂婷，向妍，胡宇君，Jess Wudewer和支持我们的全体志愿者。

片名：地球
导演：Michael Stenberg, Johan Soderberg, Linus Torell
制片：Michael Stenberg, Jonas Kellagher
出品年：2006
发行时间：2006
制片公司：Charon film AB, Sveriges Television AB and AS Videomaker
语言：英语, 中文字幕
原名：The Planet
格式：1:1,85
片长：82分钟电影版
合作出品：Sveriges Television AB – Dokumentär, Videomaker AS, Fox Media – Danmark, NRK, Nordisk Film och TV-Fond, YLE FST Co-productions.
支持单位：Forskningsrådet för miljö, Areella Näringar och Samhällsbyggande, Formas, Nordic Film och TV Fund, The ministary of Education – Denmark, Stilftelsen Riksbankens Julbileumsfond, Svenska Filminstitutet, Niklas Rådström, Commissioner Per Nielsen, Vetenskapsrådet, The Media Programme of the European Community

________________________________________________________________________________

The Planet

“There is only one planet and it has its limits…”

The Planet is a hot from the oven attempt to find answers about the truths and untruths of the alarming global changes that many claim are already in motion. It is the most extensive documentary project that has ever been produced in Scandinavia. The film crews have been working for more than 2 years and have visited over 25 countries around the world. The extraordinary visual style and the unexpected content in The Planet will unlock the alienated attitude many people have built up in relation to the subject. The Planet is about much more than climate change. It’s about the Earth as a whole – it’s about the overall global changes we are experiencing right now.

Micheal Stenberg, Linus Torell, Johan Söderberg
Sweden 2006
82 minutes
35mm
English with Chinese subtitles

Co-production：Sveriges Television AB – Dokumentär, Videomaker AS, Fox Media – Danmark, NRK, Nordisk Film och TV-Fond, YLE FST Co-productions.
With the support of Forskningsrådet för miljö, Areella Näringar och Samhällsbyggande, Formas, Nordic Film och TV Fund, The ministary of Education – Denmark, Stilftelsen Riksbankens Julbileumsfond, Svenska Filminstitutet, Niklas Rådström, Commissioner Per Nielsen, Vetenskapsrådet, The Media Programme of the European Communi

北欧大型环境记录片《地球》（The Planet）在中国的首映即将落户2007迷笛音乐节，届时该片将在现场主舞台对面的绿色和平展区循环放映，给“绿色与和平”为主题的迷笛音乐节涂抹上了浓重的环保色彩。在娱乐消遣的场所展映该片的确有些耐人寻味，很难想象谁会对展映效果抱有信心，但该片的瑞典导演约翰•索德伯格（Johan Soderberg）却相当自信，作为这部84分钟记录片唯一的剪辑师，他确信该片独特的影像表达也必定会俘获中国观众的心。

“传媒大盗”修成正果

约翰•索德伯格是瑞典当今最好的电影剪辑师之一，麦当娜的记录片《I’m Going to Tell You a Secret》的剪辑效果就出自他的“魔力之掌”。音乐人出身的索德伯格生活中最大的嗜好就是当DJ，一提到音乐他就会兴趣盎然。他说，“我热爱音乐，我知道音乐对人们意味着什么，把人们召唤到一起来跳舞是一件非常重要的事情！”

索德伯格将于5月2日应邀亲临《地球》展映现场与中国观众见面交流。他毫不掩饰即将亲临音乐节现场的兴奋心情，他说，“瑞典电视台去年就制作了一部关于迷笛节的记录短片，那个地方看上去真的很棒！我会在5月3日迷笛节现场的DJ营地表演一个小时，我还会在5月5日大山子798艺术节现场的派对上表演，我希望能有很多人一起来跳舞。”

索德伯格对他“自玩成材”的经历相当坦白，“我最开始涉足视觉领域时其实就是一个传媒大盗，我从电视节目、记录片和新闻节目中偷窃影像资料，为我自己的乐队炮制出家庭制作的录像带，其中的某些作品上世纪90年代就曾在音乐电视及其它频道上播出过。如今版权法更加严格了，我就不会那么做了。不管怎样，后来诞生的若干部纪实记录片以及我作为职业剪辑师的崭新生活皆源自于我曾经有过的这段经历。”

学生时代的索德伯格主修的专业是古典派及现代派的打击乐。“我发现玩音乐和玩剪辑之间有许多相似之处，”他说。“我制作的记录片大多都跟政治、宗教和环境问题有关。我参与执导剪辑的电影作品包括《Information Is Free》（1994）、《Electronic Pollution》（1995）、《Lucky People Center International》（1998）、《Tokyo Noise》（2002）、《Surplus》（2003）、《Read My Lips》（2004）、《The Voice》（2005）和《The Planet》（2006）。”

《地球》见证全球变化

人类赖以生存的地球健康状况若真的出了问题，而这些问题恰恰是跟人类活动有关的话，那么这种全球性的危机就变成了全人类的危机，如今诸多领域的科学家和研究人员都在以各自的方式踏遍地球追踪全球变化的蛛丝马迹，他们在寻找全球变暖的证据方面似乎已有所斩获。其实全球有人类活动的地方没有人类活动活的地方都在发生这样那样或多或少的变化，北欧电影人去年9月出品的大型环境记录片《地球》也从多种角度最直接地告诉人们全球变化已是不争的事实。

《地球》摄制组花了两年的时间走访了25个国家，访问了29位相关的专家和学者。拍摄《地球》是一个耗费时间和精力的项目，索德伯格要与迈克尔•斯滕伯格（Michael Stenberg）和莱纳斯•托雷尔（Linus Torell）领衔执导。“我们另外还有四位副导演分头率领各自的摄制组环球采访，” 索德伯格说，“我们必须直接获取所有事实的第一手资料，我们需要许多研究人员，其实在我开始全面介入这个项目的工作之前，迈克尔•斯滕伯格在这方面的研究至少已有两年，大多数科学性质的采访都是他去完成。”

索德伯格在这个项目中并没未去现场执导，但影片的剪辑工作最终是他一手包办的。他说，“我开始着手《地球》的剪辑工作的时候，我会把自己想象成一个平常人，仅仅是有那么一点点关注，而绝非是什么环保主义者，在剪辑这部片子的过程中我的确改变了许多，我对这个地球上事物之间相互联系的意识极大地增强了，这种意识的增强来得缓慢，而只有这种意识上的缓慢增强才会渐渐地落实在行动上。可是我依然喜爱旅行，喜欢品尝从世界各进口的食物，要成为一个坚定的环保主义者并非易情。”

当索德伯格被问及像他一样身处低地国家的人们是否对全球变暖更为敏感时，他说，“我只能说我们所有的人都将遭受全球变暖的影响，在全球化的文化环境里，我们之间都是相互关联的，当成千上万的亚撒哈拉地区的非洲人不得不迁徙他乡时，就必将会在欧洲和全球引起反响，至于说谁能够遏制人类无尽无休的欲望，我想当你的邻居正在遭受全球变暖影响时，你就会积极地行动起来。我相信当我们意识到被引向何方的时候，这些问题终将会变成倍受关注的问题。我对年轻一代将来在学校和家里获得这种意识抱有很高的期望，到时候情况将会有所改观。”
“颠覆性”的影像表达

枯燥乏味题材严肃的影片经过索德伯格的一番剪辑很可能会被弄出意想不到的效果，多数情况下他会顺便把影片的音乐制作也包办下来，有业内人士评价说索德伯格做电影是很有控制力，他赋予《地球》的影像语言非常平和有时甚至是愉快的，但影片内容所触及的问题却是沉重而严峻的。他创造的影像语言非常独特，人们一眼就能够认出是他的风格。

让索德伯格真正出尽风头的是一部由电影短片组成的系列作品《Read My Lips》。据索德伯格本人介绍，该系列作品是他2001年至2003年期间陆续为瑞典电视台一档电视节目打造的，曾经在互联网上抢尽风头，布什和布莱尔对唱经典情歌《Endless Love》的那期节目堪称是互联网上最受网民追捧的作品之一，被点击下载的次数高达数百万次之多。

在索德伯格个人的官方网站上，点击播放《Read My Lips》的按钮，布什和布莱尔的画面就会交替出现，他们的嘴唇在动但讲话的声音却被莱昂纳尔•里奇（Lionel Richie）和戴安娜 •罗斯（Diana Ross）的深情歌声所置换，巧妙的对口形“把戏”被索德伯格拿捏得恰到好处，“谐谑”的影像表达却也深化了短片的寓意，索德伯格凭借这一创造性的“杰作”声名鹊起，他的大胆尝试颠覆了以往严肃题材的影像表达。
索德伯格剪辑《地球》这部影片时，他依然在追求更为独特的影像表达。他说，“这个项目艺术方面所要聚焦的中心问题就在于做出一部确实能俘获新观众的电影。我们都知道科教影片的模样和腔调，总是那么谦恭那么正确，而我们做这部影片并不是为了跟那些早已熟知这些东西的人进行沟通。在这方面我们获得了巨大的成功，至今一直是好评如潮，年轻观众的好评居多，我得说对年轻一代我们寄予了厚望！如果我们一直就这么不思悔改地走下去，我们子孙后代的未来就不会美好。中国人民对于创造美好未来所能发挥的作用并不是无足轻重！西方国家应该在谋求可持续生活方式上迈出第一步，我们才能指望印度和中国的年轻一代不会盲从地走上西方过度消费文化的穷途末路。”（完）

2007-4-25[注]此稿已刊于2007年4月30日《国际先驱导报》风尚版
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